Graphic designers are such leftist scumbags…

Okay, I’m a graphic designer (of what skill I leave to others to decide). So the title of the post is a generalization, and not an axiomatic truth.
Either way, in learning the skills and studying the art of typography and graphic design. I like design, printing, signmaking, etc. I read books and watch documentaries on the subject.
From my experience, whenever graphic designers sway into discussion outside of technique, they are some of the most boorish idealistic egalitarians.
This evening I’m watching “Art & Copy” and one of the featured interviewees uttered the most hateful lines I’ve heard at least all day. This child of Greek immigrants had such overwhelming contempt for white Americans and American society that he dedicated his professional life to attacking them when he could.

Wikipedia gives a brief bio: “George Lois (born in 1931, in the Bronx, New York City, New York) is an American art director, designer, and author. Lois is best known for over 92 covers he designed for Esquire Magazine. “George Lois’ Esquire covers are considered among the most memorable propaganda imagery in any medium, and certainly the most provocative in the history of the magazine industry.”, from 1962 to 1972. Lois’s Esquire covers offered a controversial statement on life in the 1960s with subjects including Norman Mailer, Muhammad Ali, Andy Warhol, Germaine Greer, and Richard Nixon. In 2008, The Museum of Modern Art exhibited 32 of Lois’ Esquire covers”

The quote, from the docu. is as follows:

“‘Black Santa Claus (cover of esquire magazine) was me spoofing the whites of america. they would say ‘hey im for negro rights and all , what they’re going a little too far now what with the black panthers and all’. I would say fuck you! The son of a bitch is gonna come down the chimney and cut your balls off.

“I hated the system, I hated the status quo, we were changing the world and everybody respected it. We understood we were changing the culture… I was making graphics statements that grabs at the heart and grabs at your throat. And that’s what i’ve done all my life with my advertising. I was always trying to sell product, but i tried to make a point. I think advertising can be, and should be, and at times has been, revolutionary, subversive.”

He was not being ironic –  he entertained fantasies of black hoodlums breaking into anyone’s home who didn’t support every radical black nationalist and racial revolutionary to mutilate their genitals.

Merely one leftist radical cog in a media machine.

Again, from Wikipedia: “George Lois is the only person in the world inducted into The Art Directors Hall of Fame, The One Club Creative Hall of Fame, with Lifetime Achievement Awards from the American Institute of Graphic Arts, the Society of Publication Designers, as well as a subject of the Master Series at the School of Visual Arts.”

Book Nerd :: It’s been a while…

I haven’t done a book nerd update in a while. I tried remembering all the books I’ve picked up since I last posted, and I’m not sure if this is it…. probably not.  In fact, I just remembered two I’d left out…

Lucifer Principle by Howard Bloom

This Will Change Everything edited by John Brockman

The Conspiracy Against the Human Race (Advance Copy) by Thomas Ligotti

Prison’s Inside Art edited by Curtis Knapp (reference for design project)

Selfish Little by Peter Sotos

Love at Goon Park: Harry Harlow and the Science of Affection by Deborah Bloom

The Kingdom of Evil by Ben Hecht

Fantazus Mallaure by Ben Hecht

Books and Printing: A Treasury for Typophiles ed. by Paul A. Bennett

Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Seicle Culture

Death by Black Hole by Neil DeGrasse Tyson

Charles Krafft’s Villa Delirium

Eighty Years of Book Cover Design ed. by Joseph Connolly

The Pursuit of Laughter by Diana Mosley (partially obscured by the cat)

alright… I took a second photo and amended it to the bottom… I don’t think this is all of them either, but I’ll cut it off at this point.

“We” by Charles A. Lindbergh

Can Life Prevail by Pentti Linkola

The New Modern Coin Magic by J.B. Bobo

Book Blogging :: Scandals of Satan – Typography

I’ve typeset most of the book, but I’m working on the cover at the same time because I want to keep the type consistent.

I’ve picked Adobe Garamond Pro for the body type, but I wasn’t sure what I wanted to use for chapter titles. Preferably I’d use the font that the title was set in. I try to use as few different typefaces as possible. There may be typos or typesetting issues on these pages. I’m offering them here to show the progress of the book itself, for those interested. In many of my book projects I’ll go about things in a way that larger publishers don’t – often I’ll most of the typesetting after only a rough proofreading. Because I have an almost enturely digital workflow, I’ll then print PDFs to send to those helping out proofing and when errors are found I’ll fix them in the InDesign file. This allows me to spend more time with the pages as they’ll be printed…

The size of the book is 5.5×8.5″, slightly smaller than the previous books I’ve published (at 6×9″), but the same size as Laffs & Juggs. This size is printed on a slightly lighter paper. I was hesistant at first when this new paper option was made available, but once I recieved my proof copy of Laffs & Juggs I was satisfied that it was acceptable.

Tichenor uses a lot of quotes through the book, some that run multiple pages. I set the quotes that ran any length in a smaller point size and kept the same leading as the regular body text.

The author of the introduction Robert M. and I will be doing a lot of promo stuff, probably including videos… I’m okay with Premiere, but today I started working with After Effects, and I’m pretty happy with the results of a few hours of work. I exported an unfinished working copy and uploaded it to YouTube…