I’m on two shows running on RFS at once! Tired of hearing my voice yet? VASCA Radio has just released a new episode featuring an interview I did with the two hosts. We had a hell of a time with technical problems, and this was basically the third attempt, but I think it was the best of the three and worked out for the best. I haven’t listened to how it was edited down yet, but I know we spoke for quite a while.
VASCA Radio is hosted by Citizen Prometheus and Warlock Tier Instinct. VASCA Radio features the artistic endeavors ofthe hosts and welcome guests that use the VASCA in their platforms.VASCA Radio features pranks, practical jokes, current events, music, and brief one on one commentary with guests and friends of the hosts. You are listening to VASCA Radio!
Week of December 26, 2011 | Episode 13
End of the year episode. Prometheus employs the V.A.S.C.A. and targets product starved holiday shoppers who hide behind the veil of religious holiday during the current events segment. VASCA Radio proudly welcomes, Reverend Kevin I. Slaughter. We discuss his current lectures and seek out his opinions on various topics. Musical guest and V.A.S.C.A. Agent combined; making his second appearance on VASCA Radio is, Citizen Slesk. He has a secret to share regarding sermo iii and he does just that during the interview. We play his sermo iii track, Shining Trapezohedron. Pranks, movie review and track selections from your hosts personal material all await inside this full episode that is a download must.
If you use YouTube, subscribe to the new “StayDownHere” channel by Underworld Amusements. Even if you know you’ll see the videos posted elsewhere, your subscription ON YouTube helps them recommend the channel to others. Here’s the description I’ve written up to let you know what it’s all about:
This is a channel to post more casual and behind-the-scenes videos from Underworld Amusements.
The Underworld Amusements channel will feature “finished” and featured promotional videos, whereas “Stay Down Here” will feature some vlogging and pieces that don’t have the polish or importance for the other channel.
We will also shoot some behind-the-scenes clips to show how out production is going on various projects.
The name “Stay Down Here” comes from the Irving Berlin song where Satan tells his son to stay in Hell, rather than go up to the Earth’s surface, because humans are so dumb and violent.
I know the channel is looking awful empty now, but that will be changing soon enough!
Making drunken merriness on the 9sense Horrific Holiday Episode.
25 December, XLVI A.S. – In the infernal spirit of the holidays, Adam P. Campbell takes you, the listener, on a holiday journey of discovery, story, music, laughter and campy fun. Featuring special guests: Kevin I. Slaughter, Matt Ingram, Sonny Bellavance, Gyps Fulvus, Darren Deicide, and Slesk….
After hearing me mention it in an interview, someone on Facebook asked if my music was available. I’ve performed in two bands proper – URILLIAsekt and Axis Mundi. There isn’t much from URILLIAsekt available but Axis Mundi was sort of my solo project and I do have a few tracks from that. I admit, I cringe a bit on listening to some of these, but for what they are and the time I was doing them, it works decently well. Here is a bit of history I wrote some time around 2002:
Axis Mundi was formed as a solo project in 1998 after Joe Morgan and myself dissolved URILLIAsekt. URILLIAsekt has a bootleg video that has been passed around infrequently, but there was no official releases.
I first recorded under my own name “Kevin I. Slaughter”, releasing a cassette tape limited to 9 copies. These nine copies were given out and I think that I’ve lost my own version of it. Shortly after this Heather Fraser began wirking with me on music and in performances, and I released “Popular Music We All Love”
“Popular Music…” is a compilation of tracks from the first 4 years of Axis Mundi’s musical work. It has been the only full length release to date, and currently we plan on it being the only one.
The CD has been released 4 times in an “official” capacity (whatever that may mean), with each version being slightly different. I have my own very convoluted “artsy-fartsy” reason for doing this, and if you ever meet me and don’t know what to say, you can bring this up and that’ll be good for at least a few minutes of conversation.
Even the most doltish listener will quickly pick-up on the fact that I stole existing music and sounds with impunity. Most of the work present is more of a collage than song-writing, and at no point do I make the claim of originality or talent for that matter. My most frequently usedÂ equipmentÂ was a couple of tape decks and a primitive sampler.
The track “Transitional Pulse” is just that, a marker between older tracks and newer (at the time of release). Â Some of the tracks are effectively soundtracks to films unmade, some only make sense when they wereÂ performedÂ live. There was always a heavily visual aspect to my performances. “Man Sun” is literally a soundtrack to a video, it was a school project where we had to manufacture our own “creation myths”, so I chose the concept of Helter Skelter and produced aÂ psychedelicÂ video montage and the audio that appears here.
“Brocken” was a live performance of Matt G. Paradise’s “A Night on the Brocken” ritual, published originally in his magazine “Not Like Most.”
“Frustration” is a recording of a Dorothy Parker poem, with guitar by Erin C. It’s followed by a sort of remix from a performer I worked with at the time.
The last track is a recording I made of reading an excerpt from a Barnaby Conrad book on bullfighting. .
I also found a review penned by Tracy Twyman, and I believe it ran in her magazine Dagobert’s Revenge:
Popular Music We All Love
review by Tracy Twyman
Joseph Campbell defined the Axis Mundi as, â€œthe imagined axis linking the Earthâ€™s surface with the lower world (Hell) and the upper world (Heaven) at the metaphoric center of the Earth.â€ And that is exactly what this CD does, taking you on a trip from the depths of infernal madness and obsessive compulsion, on through the profane and unhallowed mire of our mundane, temporal existence, across the vast, chaotic chasm of Choronzon known as the Abyss, and on into that ineffable and sacrosanct region which we call the Divine, all done in a process of three stages which can be interpreted to represent those three levels of being which I have just described. And yet, oddly enough, the songs on this CD were never meant to be together. As the liner notes explain, â€œPopular Musicâ€™ Is a compilation of tracks derived from live performances and home taping sessions… This is not intended as a standard album, but merely a reflection of an ongoing process.â€ It is mostly the work of one Mr. Kevin Slaughter, known for his program on the Radio Free Satan broadcast network, along with some help from Heather Fraser and unnamed others.
The first track, â€œSound of Musicâ€, is a good example of what it would be like to play your Fisher Price Tone-a-Phone in the sewer. The next track, â€œHer Museâ€, is one of those â€œdepraved ravingsâ€ pieces in the vein of Sisyphus Autopsy, written from the point of view of a stalking ex-boyfriend who has captured his prey and is now trying to convince her, probably at gunpoint, that they belong together. On â€œThanks for the Memoriesâ€, someone mumbles incomprehensibly over an instrumental of â€œA Kiss is Still a Kissâ€, an over-modulated version of â€œFunky Cold Medinaâ€, and a soup of various static-filled samples. â€œPopular Mediaâ€ is perhaps the most wry in its humor, an actual recording of Kevin Slaughter calling up a radio talk show to discuss â€œracialist musicâ€, including the moronic comments made by the host of the program. And in â€œMi Amoreâ€, women scream as their bodies are cast into the flaming pits of Hell. The last track, â€œMan Sunâ€, is very interesting, as the narrator explains concepts of infinity, eternity, God, Abraxas, dualism, unity, and equilibrium, mixed with reenactments of speeches made by Charles Manson and his followers. As more of a â€œstream of consciousnessâ€ piece than an act of premeditation, this compilation works very well. Iâ€™d like to see what they do when they plan it out ahead of time. A more standard full-length CD entitled, Love Songs, is scheduled for release in the coming months.
In addition, while I was at it at least, I’ve uploaded someÂ miscellaneousÂ tracks that were never released properly. First is an unfinished recreation of a novelty album first released on 78 titled “Hard to Get“. I don’t know the orig. artist name or anything at this point, but the female voice is my dear friend Erin:
And finally (unless I find other junk on my hard drive to append here), this is a track created for an HP Lovecraft tribute compilation CD that was cut from the final release. The title of the track is “Invocation Inebriation“:
I’m pleased to release the video of a lecture given on March 1st of this year when I was invited to speak on the topic of Satanism for a class at the Maryland Institute College of Art. Filmed in HD and edited to include quite a few graphics not presented in the original lecture, I’m pleased with the outcome and hope that for those already familiar with Satanism there is enough to still keep you interested and possibly entertained.
Embedded below is a playlist of all 9 videos, to play without interruption.
Below are two parts of the Q&A session that followed:
If you enjoyed the lecture and would like to make a voluntary monetary donation, please do so below:
Satanism as Weltanschauung
Ch. 1 “Please Allow Me To Introduce Myself…”
Rev. Kevin I. Slaughter introduces himself and gives a short biographical background to establish his long-held interest in Satanism explicitly, but also the occult or hidden aspects of culture.
Ch. 2 “A Brief Overview of Satanism”
Rev. Slaughter gives a very brief overview of Satanism, what a Satanist is, and how it is viewed by society.
Ch. 3 “The Satanic Bible”
Rev. Slaughter discusses the first High Priest of the Church of Satanâ€™s book â€œThe Satanic Bibleâ€. He reads â€œThe Nine Satanic Statementsâ€ and other pertinent selections from it.
Ch. 4 “The Satanic Scriptures”
Rev. Slaughter discusses the current High Priest of the Church of Satanâ€™s book â€œThe Satanic Scripturesâ€. He reads pertinent selections from it.
Ch. 5 “EgalitÃ© vs. Hierarchy”
The natural world is stratified, the weak, slow and stupid tend to be worse for wear. The smart, quick and strong tend to have a better time of it. In the animal kingdom, the world that we exist in, it is eat or be eaten.
Ch. 6 “Lex Satanicus”
Satanism takes few overtly political positions, and there is absolutely no affiliation between the Church any political party. The Satanic philosophy positions itself as a third side, rejecting the simplistic dichotomies of good vs. evil, republican vs. democrat, liberal and conservative. The one position most clearly associated with politics is Lex Talionis.
Ch. 7 “Magic”
Magic, in the Satanic sense, is not about shooting fireballs or riding on broomsticks, we do not have â€œspellsâ€ that guarantee sex or death – the two things people always seem to want a spell for. When the Satanist performs greater magic, it is an emotional psychodrama, intended to charge the participant with a specific feeling or to put him in a specific emotional state. Itâ€™s made clear in the writings that Greater Magic is an emotional working as opposed to intellectual. Like the power of a masterfully written book or piece of music has, this productive fiction is useful and possibly necessary to the human animal.
Ch. 8 “A Few Unkind Words…”
In this part of the lecture Kevin discusses Christian Child Abuse, a blog that collects stories about pedophile priests. He discusses religiously motivated atrocities committed by Islam and Judaism in the name of their religion and accepted by their communities.
The website is found at http://christianchildabuse.blogspot.com
Ch. 9 “Love”
Satanism isn’t merely a reactionary stance, it is about knowing ones self and building real relationships with worthy people. Rev. Slaughter recites a poem titled “Love” that was written by freethinker Robert Greene Ingersoll, to illustrate this and other points in the Satanic worldview.
Kevin has participated in two oratory contests where contestants read their choice of Ingersollâ€™s work, and won first place in 2010. The video can be seen here: http://www.youtube.com/watch?v=e8UPNFcnYIM
Rev. Slaughter is an official representative of the Church of Satan. More information can be found on the website http://www.churchofsatan.com
Filmed and edited by Kevin I. Slaughter for Underworld Amusements: http://www.underworldamusements.com
Music composed and performed by Michaelanthony Mitchell
This is a recording I did many years ago, reading from a book by Barnaby Conrad. I’m quickly uploading it here because I wanted to use it as a reference for something, and it wasn’t online… so, hopefully I’ll come back and fill out the details later.
I’ve spent a LOT of time putting together a series of 13 podcast episodes of HL Mencken’s Baltimore Evening Sun reports on the Scopes trial from Dayton, Tenn. I’m releasing them in somewhat “real time”, according to the dates they were published 85 years ago. I’d like my visitors to this blog to hear them, and if you enjoy it, please pass a link along to others.
First, a list of the episodes and dates they’ll be released, I’ll link them up as they come out:
June 29th – Homo Neanderthalensis
July 9th – Sickening Doubts About Publicity
July 10th – Impossibility of Obtaining FairÂ Jury
July 11th – Trial as Religious Orgy
July 13th – Souls Need Reconversion Nightly
July 14th – Darrow’s Eloquent Appeal
July 15th – Law and Freedom
July 16th – Fair Trial Beyond Ken
July 17th – Malone the Victor
July 18th – Genesis Triumphant
July 20th – Tennessee in the Frying Pan
July 27th – Bryan
Sept. 14th* -Â Aftermath
*Will be released by July 30th.
The full text of the report at the end of the blog!
As frequent readers of this blog know, I’m a big fan of Mencken’s writing. He’s got a viewpoint that is hardly expressed anymore – a no-bullshit commentator on the follies of his day. Moreso, much of what he criticised then has only gone downhill, and his mockery and scathingÂ verbiageÂ is a balm for the mind appalled by the utter stupidity of the modern scene. The only man I’ve read that was able to mix his best elements together with style was Anton Szandor LaVey. LaVey introduced me to Mencken, as well as any number of authors, philosophers, artists and ideas. LaVey is indeed the proverbial gateway drug. It is the opposite of the religions of “the book”, his was a religion “of the world”. When Adversary Recordings rereleased his “Satan Takes a Holiday” CD, and I was tasked with writing promotional copy, this is the tail end:
“…as with most of the work that Anton LaVey has done, itâ€™s a small door to a sometimes unseemly and Satanic world. Applying the true definition of â€œoccultâ€ to these songs is probably most appropriate, as they are hidden wonders.”
A few of the folks who didn’t get turned onto LaVey get real tripped up on the S-word. I’m not going to go into apologetics here, but I think I will be doing an episode on the topic. Let me assure you that you are nowhere near the first person, if you’re like many, to ask “But why not just call yourself ______?”
I’m not a writer. There are a few things that I’ve pecked out on the keyboard that I’m proud of, but I hold no illusion that they could even serve as an introduction to Mencken’s own words. Though mecken has penned a few pithy quotable lines, there has been one that I’ve found most reflects my own lifelong work, and I’ve used it many times. It is, in fact, the very first quote on my quotes page:
â€œI hope I need not confess that a large part of my stock in trade consists of platitudes rescued from the cobwebbed shelves of yesterdayâ€¦ This borrowing and refurbishing of shop-worn goods, as a matter of fact, is the invariable habit of traders in ideas, at all times and everywhere. It is not, however, that all the conceivable human notions have been thought out; it is simply, to be quite honest, that the sort of men who volunteer to think out new ones seldom, if ever, have wind enough for a full dayâ€™s work.â€
-H.L. Menken, from â€œIn Defense of Womenâ€
July 6th was my 35th birthday and the 2nd anniversary of Underworld Amusements (I made a public announcement in October of ’08, but July was the time I started working on it seriously… well, as seriously as I’ve had spare time for). I’ve done quite a bit in the last two years under the banner of UA, but I’m reevaluating it as one should do everything. The podcast started in
The past month and a half I’ve been running ads on Facebook. It’s as cheap or expensive as you want to make it, so I made it cheap and tried to target the people I think would be most interested. It’s brought traffic to the site, but the idea of paying .15 to .50 cents for someone to merely visit the site is hard for me to do. UA is a no-budget operation, more or less. The meager profits from books just go to spending money on website hosting and whatever expenses come along.
This isn’t a wind-up to hitting you up for donations, though it probably sounds like it. No, this is a wind-up to ask anyone who has enjoyed a podcast or book released under the Underworld Amusements banner to occasionally, or at least once, post a link on facebook, write a review on itunes, or do some simple free task to promote what I’m doing. After 14 podcasts, including a number of interviews (from Oscar winner HR Giger, to one-time “worlds worst person” John Derbyshire, to Church of Satan High Priest Peter H. Gilmore, among others), I’veÂ receivedÂ exactly one review on iTunes, and that I hounded a friend for.
A few folks have been very supportive, and I’ve done my best to reciprocate. That’s how I roll. I’ve done my best to avoid SPAMMY behavior. I haven’t trolled social network sites begging for folks to “friend” me. I rarely do it on my personal profile and just as rarely do it on my “business” pages. I promote other projects and publishers directly on the UA site and moreso on my personal site. This respectable method isn’t working. Paying for clicks is, but it’s also spending the little money I make that could be spent on new projects or making ongoing projects better.
I’ve tried thinking of ways to organize some sort of project that would assist others who are working on projects or have blogs or books to promote to do so easily. Something either a little more targeted than “facebook”, but not a wholeÂ separateÂ system that competes with the established sites. I don’t want to build a social network for misfits, but I would like something like an Instapundit for misanthropes. Something that’s compelling enough to bring returning visitors, but not so involved that people have to set up identities, and something that can push that same info out to folks.
I’m not sure what form it’ll take, but it has a name and a url, though I’m not letting that on right now, as it could radically change or not happen. It’d be like telling you my sons name while still a virgin (well, technically, after I had the first two kids aborted, and was planing on making another kid).
I’m nervous… in a few hours I’ll be in our nations capitol reading a lecture by the great American orator Robert G. Ingersoll. I won’t be posting this until after the event is over, so I can append a recording of it to the post (assuming it turns out well). No matter what mundane or crazy shit I’ve done in front of an audience, I’ve always been plagued with nervousness before beginning. From making an announcement in a room or doing an interview over the phone, to being cut open in a blood ritual performance or crawling across a ceiling half-naked covered in silver paint – I’m a bit of a wreck until I start doing whatever it is I need to be doing. I’m not an extrovert by nature, but I’ve been performing in front of audiences since I was in Elementary School.
I think I took this chance to help subdue that fear response a bit, but then here I am waking up at 6:30 am when my alarm is set for 8. Typing a blog post because I need a distraction.
There was a study recently that showed men looking at breasts had a calming effect. I think it was carried out by the University of Something to Tell My Wife, in the Dept. of NoDuh.
I have my problems with his worldview outside of his agnosticism, but that he was well known and well received in the late 1800’s for making remarks on stage that would infuriate most general audiences in 2009 makes me respect him greatly. That I have such a shitty memory makes me frustrated that I’ll probably be doing more reading of a page than proper oratory.
The event is sponsored by a few groups, none of which I am a member. All the details can be found here.
I’ve chosen (predictably) his lecture on blasphemy and I’ve had to heavily truncate it in order to fit within the 3-6 minutes allowed. My greatest concern is that I’ll be the 5th or 6th person to recite some of the same words, and boring the audience instead of entertaining. The orig. text can be found here.
My total time tends to be about 6 and a half to 7 minutes, but the introduction runs around a minute +,Â so the actual lecture is within the regulation time limit. There was a joke about half-way through, but I took it out because I didn’t think I could pull it off.
The event will be video recorded (I started writing “taped”, but that’s probably not technically true) and I’ll record the audio as well. As you can see in the introduction I’ve included a “Blasphemy Challenge” – thematically appropriate, and a fun addition.
—back from event—
I just got in from my drive back from DC. I dropped a dear friend who went to support meÂ at home and I’m trying to finish and post this thing…
Out of the 20 possible contestants only 14 ended up speaking. From the star my chances for winning were statistically better. I drew “12” as my order number, but since there were 20 numbers and 14 people, I didn’t have to wait through 12 speakers. My time was intermittently crouching and listening and pacing and smoking near the back of the audience. When it was my time to go up I was terribly nervous, all the moisture from my mouth vanished when I hit the podium.
At one point my papers flew away in the wind. I think I handled it well, moving on to the next section of the speech without too much of a lapse. I couldn’t get my pages to turn on the last page. I figured that shouldn’t be too much of a problem with only three pages, but I was wrong. Next time I’ll put some sticky tabs on each sheet or something.
My pal Erin was in charge of the camera and forgot to take photos while I was speaking, so we’ve got scant few photos. Her support meant more than her failure to photographically capture the moment, so all is well.
I wore my black suit, fedora and a plantation tie, and everyone assumed it was a costume for the event. I don’t mind that so much, when I was in Vegas with friends in ’06 people stopped us on the street and asked us if we were performing somewhere and if they could get a photo… “no” and “no” were the answers. I thought it was funny though and I took that and changed my introduction in my head a few minutes before I spoke – it allowed me to more personalize the introduction and inject a little more humor. I had two great lines that I thought up and I subsequently forgot to utter, and I don’t think they’d come across well just typing ’em out here. I’ll just let them lie in some corner of my brain until they dissolve away.
Though many of the speakers were very good, and one even committing his entirely to memory, quite a number of folks left me with the impression that I was certainly in the top tier of presenters. Though I did have to reference my notes, and at one point my papers flew away in the wind, I’m proud of the job that I did – ultimately it wasn’t enough to impress the judges. Even though they gave a tie to fourth place – giving a total of 5 winners out of 14, somehow my speech was scored in the bottom 9.
I got quite a few hearty “congrats” immediately after speaking, and one lady even turned to me and said “that was so wonderful, you gave me goosebumps!”, but when they were calling out the winners, my name was no where to be heard.
The kicker, walking to the car a guy who introduced himself to me earlier that day before I talked was walking back toward DuPont Circle. I guess he’d stepped away at some point and was returning, missing the awards. I must have made an impression because he called out my name from a distance, “Kevin!”
“How did it go?” he asked.
“Pretty well, I enjoyed myself.”
“Did you win?”
“No, I didn’t even come in fourth.”
“WHA?!?” he seemed to express sincere disbelief.
Again, other speakers did a great job. I don’t know what the scores were, and I’m generally very humble about my work and performances. This, I think I should have at least placed. But I didn’t, and I’m not complaining. It was a beautiful day in the park, and I publicly blasphemed, on film (and audio)…
One of the organizers videotaped the event and will theoretically be putting some portions online. If I make it, I’ll post it here, of course.
I have pasted the text that I took with me to read below. Where I’ve added or changed a word, it is set off in brackets. Where I’ve truncated in the middle of a sentence I’ve used the ellipses. Of course, what I have below and what I ws able to actually get out of my mouth diverge somewhat slightly…
UPDATE: I found a few photos on facebook from someone who was there, so I was able to add a few of me actually speaking! The photographer has given me permission to use the images here and here is a link to all his photos from the event (on Facebook)!
UPDATE 2: A few more photos of the Devil’s Angry Man… photos below by Bruce Press
UPDATE 10-28-09: The videos…
CFI edited every speaker down to their own video, here is just my part:
The AHA took the winners of the event and a few other speakers and edited to about an hour (I’m at the 35 minute mark):
Ingersoll’s Lecture on “Blasphemy”
Robert Ingersoll Oratory Contest
Washington, DC, October 4th, 2009
According to the rules I may give a brief introduction to why I selected this bit of text. How do you truncate the words of a man who would sometimes spend three hours pontificating on a topic into 3-5 minutes. All the speakers here have done an admirable job and I hope that I have distilled the essence of this speech on the topic of Blasphemy to fit into that time.
My name is Kevin Slaughter and what follows this preface are Ingersoll’s words alone, but I take them as my own. I am not just honoring a great orator and thinker, I am telling you how I feel. Before I begin to speak his words, I will make it utterly clear: “I deny the Holy Spirit.”
This rejection of god means not just that I am a free thinker, but standing in our nation’s capitol today, it it a pronouncement that I am a free man!
Ladies and GentlemenÂ Â …what is the origin of the crime known as blasphemy?
It is the belief in a God who is cruel, revengeful, quick tempered and capricious;
a God who punishes the innocent for the guilty;
a God who listens with delight to the shrieks of the tortured and gazes enraptured on their spurting blood.
You must hold this belief before you can believe in the doctrine of blasphemy.
[You see,] God was a kind of juggler. He did not wish man to be impudent or curious about how He did things. You must sit in audience and watch the tricks and ask no questions. In front of every fact He has hung the impenetrable curtain of blasphemy. Now … all the … reason that … man ha[s] is useless.
To say anything against the priest was blasphemy
and to say anything against God was blasphemyâ€”
to ask a question was blasphemy.
Finally we sank to the level of fetishism [and] we began to worship inanimate things.
If you will read your bible you will find that the Jews had a sacred box. … To touch this box was a crime. [And] You [may] remember that one time when a… [man] thought the box was going to tip he held it.
God killed him.
It always has been blasphemy to say “I do not know whether God exists or not.”
In all Catholic countries it is blasphemy to doubt the bible, to doubt the sacredness of the relics.
It always has been blasphemy to laugh at a priest, to ask questions, to investigate the Trinity.
In a world of superstition, reason is blasphemy.
In a world of ignorance, facts are blasphemy.
In a world of cruelty, sympathy is a crime,
and in a world of lies, truth is blasphemy.
Last night there was a fire in Philadelphia, and at a window fifty feet above the ground Mr. King stood amid flame and smoke and pressed his children to his [chest] one after the other, kissed them, and threw them to the rescuers with a prayer. That was man.
[This book says that on] the last day God takes His children with a curse and hurls them into eternal fire. That’s … God as [this book] describe Him. [And] If this creed be true, God is the insane keeper of a mad house.
Blasphemy is a padlock which hypocrisy tries to put on the lips of all honest men. At one time Christianity succeeded in silencing the infidel, and then came the dark ages, when all rule was ecclesiastical, when the air was filled with devils and spooks, when birth was a misfortune, life a prolonged misery of fear and torment, and death a horrible nightmare. They crushed the infidels, Galileo, Kepler, Copernicus, wherever a ray of light appeared in the ecclesiastical darkness. I want to tell [you all gathered] that that day is passed. All the churches in the United States can not even crush me. The day for that has gone, never to return. If they think they can crush free thought in this country, let them try it.
I’ll tell you what is blasphemy. It is blasphemy to live on the fruits of other men’s labor, to prevent the growth of the human mind, to persecute for opinion’s sake, to abuse your wife and children, to increase in any manner the sum of human misery.
I’ll tell you what is sacred. Our bodies are sacred, our rights are sacred, justice and liberty are sacred. I’ll tell you what is the true bible. It is the sum of all actual knowledge of man, and every man who discovers a new fact adds a new verse to this bible. It is different from the other bible, because that is the sum of all that its writers and readers do not know.
Kevin I. Slaughter of Scapegoat Publishing gabs with Jim Goad (ANSWER Me!: The First Three) in a casual conversation on the cusp of his tour with Hank III. Kevin doesnâ€™t pretend to be a professional interviewer, and this proves it. What we wind up with is a discussion and not an interrogation, with Kevin providing his own views on subjects. He thinks he edited all the really offensive stuff out, but often realizes his perspective on what most folks find offensive is out of line with reality.
Some of the highlights of the show are as follows:
Atlanta’s Favorite White Person (for Blacks), Baltimore – City of Incidents, I’m a White Boy – Merle Haggard, Radio Voice, George Plimpton, Jim “The Nashville Cat” Goad, Boiled Peanutz – Interracial Hip Hop, ANSWER Me! – The Concordance, I Feel Your Pain Ike Turner, Felching, Imprisoned Mexican views on homosexuality, Males and Wimmels,,Dusting off the testicles of Red Sovine, Dante’s in Portland, Photo of Flappy Vagina, Encyclopedia of Race, Segregation in Prison, If all there was is Bosnians in the World, Every Single Fucking Show, Stack-O-Lee