After hearing me mention it in an interview, someone on Facebook asked if my music was available. I’ve performed in two bands proper – URILLIAsekt and Axis Mundi. There isn’t much from URILLIAsekt available but Axis Mundi was sort of my solo project and I do have a few tracks from that. I admit, I cringe a bit on listening to some of these, but for what they are and the time I was doing them, it works decently well. Here is a bit of history I wrote some time around 2002:
Axis Mundi was formed as a solo project in 1998 after Joe Morgan and myself dissolved URILLIAsekt. URILLIAsekt has a bootleg video that has been passed around infrequently, but there was no official releases.
I first recorded under my own name “Kevin I. Slaughter”, releasing a cassette tape limited to 9 copies. These nine copies were given out and I think that I’ve lost my own version of it. Shortly after this Heather Fraser began wirking with me on music and in performances, and I released “Popular Music We All Love”
“Popular Music…” is a compilation of tracks from the first 4 years of Axis Mundi’s musical work. It has been the only full length release to date, and currently we plan on it being the only one.
The CD has been released 4 times in an “official” capacity (whatever that may mean), with each version being slightly different. I have my own very convoluted “artsy-fartsy” reason for doing this, and if you ever meet me and don’t know what to say, you can bring this up and that’ll be good for at least a few minutes of conversation.
Even the most doltish listener will quickly pick-up on the fact that I stole existing music and sounds with impunity. Most of the work present is more of a collage than song-writing, and at no point do I make the claim of originality or talent for that matter. My most frequently used equipment was a couple of tape decks and a primitive sampler.
The track “Transitional Pulse” is just that, a marker between older tracks and newer (at the time of release). Some of the tracks are effectively soundtracks to films unmade, some only make sense when they were performed live. There was always a heavily visual aspect to my performances. “Man Sun” is literally a soundtrack to a video, it was a school project where we had to manufacture our own “creation myths”, so I chose the concept of Helter Skelter and produced a psychedelic video montage and the audio that appears here.
“Brocken” was a live performance of Matt G. Paradise’s “A Night on the Brocken” ritual, published originally in his magazine “Not Like Most.”
“Frustration” is a recording of a Dorothy Parker poem, with guitar by Erin C. It’s followed by a sort of remix from a performer I worked with at the time.
The last track is a recording I made of reading an excerpt from a Barnaby Conrad book on bullfighting. .
I also found a review penned by Tracy Twyman, and I believe it ran in her magazine Dagobert’s Revenge:
Popular Music We All Love
review by Tracy Twyman
Joseph Campbell defined the Axis Mundi as, “the imagined axis linking the Earth’s surface with the lower world (Hell) and the upper world (Heaven) at the metaphoric center of the Earth.” And that is exactly what this CD does, taking you on a trip from the depths of infernal madness and obsessive compulsion, on through the profane and unhallowed mire of our mundane, temporal existence, across the vast, chaotic chasm of Choronzon known as the Abyss, and on into that ineffable and sacrosanct region which we call the Divine, all done in a process of three stages which can be interpreted to represent those three levels of being which I have just described. And yet, oddly enough, the songs on this CD were never meant to be together. As the liner notes explain, “Popular Music’ Is a compilation of tracks derived from live performances and home taping sessions… This is not intended as a standard album, but merely a reflection of an ongoing process.” It is mostly the work of one Mr. Kevin Slaughter, known for his program on the Radio Free Satan broadcast network, along with some help from Heather Fraser and unnamed others.
The first track, “Sound of Music”, is a good example of what it would be like to play your Fisher Price Tone-a-Phone in the sewer. The next track, “Her Muse”, is one of those “depraved ravings” pieces in the vein of Sisyphus Autopsy, written from the point of view of a stalking ex-boyfriend who has captured his prey and is now trying to convince her, probably at gunpoint, that they belong together. On “Thanks for the Memories”, someone mumbles incomprehensibly over an instrumental of “A Kiss is Still a Kiss”, an over-modulated version of “Funky Cold Medina”, and a soup of various static-filled samples. “Popular Media” is perhaps the most wry in its humor, an actual recording of Kevin Slaughter calling up a radio talk show to discuss “racialist music”, including the moronic comments made by the host of the program. And in “Mi Amore”, women scream as their bodies are cast into the flaming pits of Hell. The last track, “Man Sun”, is very interesting, as the narrator explains concepts of infinity, eternity, God, Abraxas, dualism, unity, and equilibrium, mixed with reenactments of speeches made by Charles Manson and his followers. As more of a “stream of consciousness” piece than an act of premeditation, this compilation works very well. I’d like to see what they do when they plan it out ahead of time. A more standard full-length CD entitled, Love Songs, is scheduled for release in the coming months.
In addition, while I was at it at least, I’ve uploaded some miscellaneous tracks that were never released properly. First is an unfinished recreation of a novelty album first released on 78 titled “Hard to Get“. I don’t know the orig. artist name or anything at this point, but the female voice is my dear friend Erin:
And finally (unless I find other junk on my hard drive to append here), this is a track created for an HP Lovecraft tribute compilation CD that was cut from the final release. The title of the track is “Invocation Inebriation“:
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